Entourage quotes
174 total quotes[Drama finally confronts Adam Davies over why he is avoiding his calls.]
Drama: Are you my agent or not?
Davies: You were a family deal, Johnny. If Vince isn't a client, I'm afraid you're not a client.
Pauly Shore: [laughs] Karma is a bitch! [referring to how Drama got him banned from the Playboy Mansion. Drama tries to punch Davies but Turtle holds him back] We're in a fucking meeting, man.
Drama: You promised me something I would steal. [gets Davies' office TV]
Shore: Taking his TV, what're you a fucking Surreal Life cast member, you freak? [laughs]
Drama: [to Davies] I'll see you on the outside! [marches out of office]
Shore: Get a life, loser boy!
Season 3
Drama: Are you my agent or not?
Davies: You were a family deal, Johnny. If Vince isn't a client, I'm afraid you're not a client.
Pauly Shore: [laughs] Karma is a bitch! [referring to how Drama got him banned from the Playboy Mansion. Drama tries to punch Davies but Turtle holds him back] We're in a fucking meeting, man.
Drama: You promised me something I would steal. [gets Davies' office TV]
Shore: Taking his TV, what're you a fucking Surreal Life cast member, you freak? [laughs]
Drama: [to Davies] I'll see you on the outside! [marches out of office]
Shore: Get a life, loser boy!
Season 3
[Drama just gave E something in an envelope]
E: [sees the engagement ring he gave Sloan] She sent it in an envelope?!?!
Turtle: and not a padded envelope at that.
E: [sees the engagement ring he gave Sloan] She sent it in an envelope?!?!
Turtle: and not a padded envelope at that.
[Drama reflects on Sloan's friend, who joined the group on their night out and was introduced to him and Turtle]
Drama: She was ice cold. Did you hear what she said to me when I asked to buy her a drink?
Eric: No, what?
Drama: "No, thank you." What a bitch.
Drama: She was ice cold. Did you hear what she said to me when I asked to buy her a drink?
Eric: No, what?
Drama: "No, thank you." What a bitch.
[Drama tries to head to the studio with a gift and an apology for attempting to attack studio boss Dan Coakley, whom he claims had sex with Jamie-Lynn Sigler, but Lawrence the guard stops him]
Drama: Wanna roll up this gate?
Lawrence: 'Fraid I can't do that.
Drama: Why not?
Lawrence: You're on the list.
Drama: What list?
Lawrence: The "Banned from the Lot" list. That's why your picture's right there. [shows folder with a list and pictures of people]
Drama: Well, my picture's right there! [points to Five Towns ad] How do you explain that?
Lawrence: Can't, but the message came from Dan Coakley himself, so I'm assuming whatever you did, looks real bad.
Drama: Wanna roll up this gate?
Lawrence: 'Fraid I can't do that.
Drama: Why not?
Lawrence: You're on the list.
Drama: What list?
Lawrence: The "Banned from the Lot" list. That's why your picture's right there. [shows folder with a list and pictures of people]
Drama: Well, my picture's right there! [points to Five Towns ad] How do you explain that?
Lawrence: Can't, but the message came from Dan Coakley himself, so I'm assuming whatever you did, looks real bad.
[Drama tries to talk to Johnny's Bananas producer Phil Yagoda about a pay raise with E and Scott's help. Phil is not amused.]
Phil Yagoda: [while driving] Is Dice there too?
Drama: No Phil, we're not crazy.
Phil: Yeah well, Johnny do yourself a favor - don't let anybody cover your ears, so you can hear this - Hey dumb fuck, was this your idea?
Drama: It was Dice's idea. He's put crazy things in my head.
Phil: Yeah, well remind Dice that when we cast him two months ago, he was doing stand-up at a fucking bowling alley.
Drama: He doesn't care.
Phil: Well, you better care Johnny, because if you allow him or anyone else to fuck this up, you're bananas. Go to Dice tell him you don't get a raise because you test well. Maybe remind him about his show called Concrete Heat that I produced and you starred in in 1994 and that tested to the fucking moon. You remember that?
Drama: [attentive because he remembers the show] Yeah, I remember that.
Phil: Yeah, you remember how long it lasted?
Drama: One week.
Phil: Yeah, many people thought it was cancelled in the second half hour.
Drama: Yeah, that's because they put us up against fucking Seinfeld.
Phil: Drama, I know that doing a voiceover is not what you want - I know that you want to get that precious face of yours back in the camera. This will lead to all of that, if you're smart, so be smart and be sure that crazy fuck is too or you will bury us all.
Phil Yagoda: [while driving] Is Dice there too?
Drama: No Phil, we're not crazy.
Phil: Yeah well, Johnny do yourself a favor - don't let anybody cover your ears, so you can hear this - Hey dumb fuck, was this your idea?
Drama: It was Dice's idea. He's put crazy things in my head.
Phil: Yeah, well remind Dice that when we cast him two months ago, he was doing stand-up at a fucking bowling alley.
Drama: He doesn't care.
Phil: Well, you better care Johnny, because if you allow him or anyone else to fuck this up, you're bananas. Go to Dice tell him you don't get a raise because you test well. Maybe remind him about his show called Concrete Heat that I produced and you starred in in 1994 and that tested to the fucking moon. You remember that?
Drama: [attentive because he remembers the show] Yeah, I remember that.
Phil: Yeah, you remember how long it lasted?
Drama: One week.
Phil: Yeah, many people thought it was cancelled in the second half hour.
Drama: Yeah, that's because they put us up against fucking Seinfeld.
Phil: Drama, I know that doing a voiceover is not what you want - I know that you want to get that precious face of yours back in the camera. This will lead to all of that, if you're smart, so be smart and be sure that crazy fuck is too or you will bury us all.
[Drama tries to talk two kids out of asking for a cigarette lighter]
Drama: One day you're lighting up in front of a dozen adults at a Bat Mitzvah, the next you're cruisin' Santa Monica Boulevard offering handjobs for a crack rock.
Kid: Which one of you did that? [Drama looks guilty.]
Drama: One day you're lighting up in front of a dozen adults at a Bat Mitzvah, the next you're cruisin' Santa Monica Boulevard offering handjobs for a crack rock.
Kid: Which one of you did that? [Drama looks guilty.]
[Drama's cousin Ronnie has offered him a chance to invest in a bar and a call from Jamie-Lynn Sigler for Turtle has just changed his outlook]
Drama: Hey Ronnie, you tell Phil that if this place is henceforth known as Johnny Drama's, I'm in.
Ronnie: Yeah?
Drama: Yeah. [stands and addresses crowd] Hey everyone, I got an announcement to make. The drinks are on me...[crowd cheers] or should I say, the drinks are on...the house! [crowd cheers louder and Drama high-fives Ronnie]
Drama: Hey Ronnie, you tell Phil that if this place is henceforth known as Johnny Drama's, I'm in.
Ronnie: Yeah?
Drama: Yeah. [stands and addresses crowd] Hey everyone, I got an announcement to make. The drinks are on me...[crowd cheers] or should I say, the drinks are on...the house! [crowd cheers louder and Drama high-fives Ronnie]
[Drama's letting Billy Walsh know his problems with Jamie Kennedy]
Billy: Calm down, Drama. Calm down.
Drama: Calm down?!? This guy not only sucks, he thinks he's Sandy Meisner.
Billy: Let's just get it done.
Drama: Get WHAT done? This show is over if we don't do something about it.
Billy: What do you like to do?
Drama: Get Dice back!
Billy: Not gonna happen. The network won't pay him.
Drama: [points to Jamie] You like this guy?
Billy: Course not.
Drama: Then we need to make it happen!!
Billy: If there was something I could do, don't you think I would have done it? I would give anything to get Dice back.
Drama: Anything? Give him a piece of your salary.
Billy: Fuck that! Give him your salary.
Billy: Calm down, Drama. Calm down.
Drama: Calm down?!? This guy not only sucks, he thinks he's Sandy Meisner.
Billy: Let's just get it done.
Drama: Get WHAT done? This show is over if we don't do something about it.
Billy: What do you like to do?
Drama: Get Dice back!
Billy: Not gonna happen. The network won't pay him.
Drama: [points to Jamie] You like this guy?
Billy: Course not.
Drama: Then we need to make it happen!!
Billy: If there was something I could do, don't you think I would have done it? I would give anything to get Dice back.
Drama: Anything? Give him a piece of your salary.
Billy: Fuck that! Give him your salary.
[E and Anna Faris are on the phone.]
E: You know that we've been on the phone for like, 97 minutes?
Anna Faris: Well, I needed something to pass the time before the Pussycat Dolls comes on.
E: You're obsessed, you know that?
Faris: Hey, some people have drugs or alcohol in times of sadness, I have reality TV.
E: You know that we've been on the phone for like, 97 minutes?
Anna Faris: Well, I needed something to pass the time before the Pussycat Dolls comes on.
E: You're obsessed, you know that?
Faris: Hey, some people have drugs or alcohol in times of sadness, I have reality TV.
[E and Billy try to patch up their differences over the Medellin trailer leak]
Eric: But he sent me an email at four a.m. threatening to kill me.
Billy: And then at five a.m., my editor called and told me that he got pissed at his girl last week and put a video of him giving her a facial on cumfiesta.com. She got back at him with my trailer... our trailer.
Eric: But he sent me an email at four a.m. threatening to kill me.
Billy: And then at five a.m., my editor called and told me that he got pissed at his girl last week and put a video of him giving her a facial on cumfiesta.com. She got back at him with my trailer... our trailer.
[E and Sloan are having a fight on the road about getting back together]
E: Why is it so selfish 'cause I'm tryin' to tell you i wanna be with you?
Sloan: [gets out of car and walks away] Because last time you convinced me it was forever, you took off with your buddies five minutes later!
E: I'm sorry, I was trying to get my business going!
Sloan: You took me for granted.
E: [blocks her] I know!
Sloan: Eric, why are you doing this to me?
E: Because I love you.
Sloan: I will not get lured back into this. I can't trust you! You love to have a girlfriend, but on your terms! You're never gonna be able to commit, not to anyone!
E: That is not true, I will commit to you right now!
Sloan: Eric, STOP!
E: I swear to God, I'm gonna marry you.
Sloan: [sarcastic] You'll marry me?
E: Yes, I'm gonna get into that car right now, drive to Vegas and commit to you for the rest of my life.
Sloan: Really? Have you even thought about this?
E: Yeah. I have, and this time I swear on my life, it'll be forever. [presents engagement ring]
Season 7
E: Why is it so selfish 'cause I'm tryin' to tell you i wanna be with you?
Sloan: [gets out of car and walks away] Because last time you convinced me it was forever, you took off with your buddies five minutes later!
E: I'm sorry, I was trying to get my business going!
Sloan: You took me for granted.
E: [blocks her] I know!
Sloan: Eric, why are you doing this to me?
E: Because I love you.
Sloan: I will not get lured back into this. I can't trust you! You love to have a girlfriend, but on your terms! You're never gonna be able to commit, not to anyone!
E: That is not true, I will commit to you right now!
Sloan: Eric, STOP!
E: I swear to God, I'm gonna marry you.
Sloan: [sarcastic] You'll marry me?
E: Yes, I'm gonna get into that car right now, drive to Vegas and commit to you for the rest of my life.
Sloan: Really? Have you even thought about this?
E: Yeah. I have, and this time I swear on my life, it'll be forever. [presents engagement ring]
Season 7
[E discovers that Sloan had a hand in Murray Berenson offering him a job after shutting down the Murphy Group]
Sloan: What is the problem?
E: The problem is, you treat me like some kind of social experiment.
Sloan: What do you mean? [both look at inbound golf cart and step out of the way for a moment]
E: Well, first you find me a place to live and then you're trying to get your godfather to hire me?
Sloan: These are bad things?
E: Yeah, but why are you doing it?
Sloan: Because I care about you.
E: I thought you didn't want to be friends.
Sloan: I said I couldn't be friends right now and that's because I cared too much.
E: So what? You want to see me turn into the man you want to be, then you'll consider talking to me?
Sloan: Eric, I have no idea what you're being so hostile about.
E: How hostile? Because while you may just think I'm Vince's bitch, I've done pretty okay for myself. I don't need you out there begging people to offer me things.
Sloan: I didn't beg anybody. I told someone about you and I thought you guys might make a good match. [steps out of way again for golf cart] Apparently, he agrees and he's not some schmuck who hands out jobs because I tell him to - and I don't think of you as Vince's bitch, for crying out loud, but clearly, you do.
E: Well, maybe you don't know me so well.
Sloan: What is the problem?
E: The problem is, you treat me like some kind of social experiment.
Sloan: What do you mean? [both look at inbound golf cart and step out of the way for a moment]
E: Well, first you find me a place to live and then you're trying to get your godfather to hire me?
Sloan: These are bad things?
E: Yeah, but why are you doing it?
Sloan: Because I care about you.
E: I thought you didn't want to be friends.
Sloan: I said I couldn't be friends right now and that's because I cared too much.
E: So what? You want to see me turn into the man you want to be, then you'll consider talking to me?
Sloan: Eric, I have no idea what you're being so hostile about.
E: How hostile? Because while you may just think I'm Vince's bitch, I've done pretty okay for myself. I don't need you out there begging people to offer me things.
Sloan: I didn't beg anybody. I told someone about you and I thought you guys might make a good match. [steps out of way again for golf cart] Apparently, he agrees and he's not some schmuck who hands out jobs because I tell him to - and I don't think of you as Vince's bitch, for crying out loud, but clearly, you do.
E: Well, maybe you don't know me so well.
[E has just found out that Billy suddenly sent a print of Medellin to the Cannes Film Festival committee]
Ari: Yes E, I would say being rejected by Cannes before we have a distributor would be a disaster.
Ari: Yes E, I would say being rejected by Cannes before we have a distributor would be a disaster.
[E has just seen a trailer for Medellin at Billy Walsh's post-production lab]
E: Wow, this looks great.
Technician: Yeah, if only the movie looked so good.
E: What?
Technician: I didn't say anything. [turns off editing machine and leaves]
E: Wow, this looks great.
Technician: Yeah, if only the movie looked so good.
E: What?
Technician: I didn't say anything. [turns off editing machine and leaves]
[E has noticed Emily being rather cold to him while visiting Ari's office]
Eric: [to Ari] What's wrong with her?
Ari: From now on, you ask for my permission before you bang one of my assistants.
Eric: How'd you know about that?
Ari: 'Cause I know all. I could have told you this would end badly. Now I got to fire her so you don't feel weird.
Eric: No, don't fire her.
Ari: Alright, I'll just sexually harass her until she quits.
Eric: [to Ari] What's wrong with her?
Ari: From now on, you ask for my permission before you bang one of my assistants.
Eric: How'd you know about that?
Ari: 'Cause I know all. I could have told you this would end badly. Now I got to fire her so you don't feel weird.
Eric: No, don't fire her.
Ari: Alright, I'll just sexually harass her until she quits.