Tony: I just sort of feel like you can use negative space to push the image, you know? It's sort of like a geometrical thing with the light coming across. I was trying to use these geometric lines and spacing. Sometimes I think maybe I should have done something more creative with my life.
Nora Williams: No, I think you're in the right profession.
Tony: All right, Annie Leibowitz, what's wrong with my pictures?
Nora: Well, they're sort of soulless. Analytical. They look like postcards or --
Ziva: Crime scene photos.
Nora: You just need people in them. happy people-
Ziva: living people.
Nora Williams: No, I think you're in the right profession.
Tony: All right, Annie Leibowitz, what's wrong with my pictures?
Nora: Well, they're sort of soulless. Analytical. They look like postcards or --
Ziva: Crime scene photos.
Nora: You just need people in them. happy people-
Ziva: living people.
Tony : I just sort of feel like you can use negative space to push the image, you know? It's sort of like a geometrical thing with the light coming across. I was trying to use these geometric lines and spacing. Sometimes I think maybe I should have done something more creative with my life.
Nora Williams : No, I think you're in the right profession.
Tony : All right, Annie Leibowitz, what's wrong with my pictures?
Nora : Well, they're sort of soulless. Analytical. They look like postcards or --
Ziva : Crime scene photos.
Nora : You just need people in them. happy people-
Ziva : living people.
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