Rachel: Tina, look, I understand that you feel like your voice is being stifled right now, in the glee club. I mean, I have no idea why you would choose this moment specifically to make a stink about it but I want you to know you are being heard. Which is why I am willing to offer you $50 just to let this all blow over until after Nationals.
(Tina walks away, Rachel follows)
Rachel: Do you have any idea how important Nationals is to me? I mean if I can convince Carmen Tibideaux to come and watch us perform, then it's basically like a do-over for my NYADA audition, which means that my entire future depends on us being amazing, which means that everyone has to do their part.
Tina: Their part to make you look good. I've sat, for three years, in the back of that choir room, holding Mikes hand or crying or smiling and swaying, while everyone else was out there singing solos. Maybe I say something, most of the time I don't, team player all the way. I am tired of being silent. I am one of the original glee club members and I was singing Sit Down, You're Rocking the Boat when Finn and Puck were still throwing slushies at us. So when is it my turn?
Rachel: Do you have any idea how difficult it is to be me? Do you have a Facebook account or Twitter account?
Tina: Yes.
Rachel: Do you have time to watch Bravo or read a book or buy laces for your incredibly high comical boots? Okay? I don't. It's exhausting being me. I get up at 5:00 in the morning just to get all of this prepared, in case a solo is thrown my way. I have the entire Sondheim, Hamlisch, Lloyd-Webber, Elton John songbooks memorized, including every single Katy Perry hit, as well. And I do all of this while keeping my boyfriend interested and physically satisfied and being the captian of 16 clubs and keeping a 3.86 GPA.
Tina: I could do all of that.
Rachel: And you will. Next year. You'll have your chance next year.
Tina: All I want, for one moment, to feel like you. Be up on that stage and get one of the standing ovations you're so used to getting.
(Tina walks away, Rachel follows)
Rachel: Do you have any idea how important Nationals is to me? I mean if I can convince Carmen Tibideaux to come and watch us perform, then it's basically like a do-over for my NYADA audition, which means that my entire future depends on us being amazing, which means that everyone has to do their part.
Tina: Their part to make you look good. I've sat, for three years, in the back of that choir room, holding Mikes hand or crying or smiling and swaying, while everyone else was out there singing solos. Maybe I say something, most of the time I don't, team player all the way. I am tired of being silent. I am one of the original glee club members and I was singing Sit Down, You're Rocking the Boat when Finn and Puck were still throwing slushies at us. So when is it my turn?
Rachel: Do you have any idea how difficult it is to be me? Do you have a Facebook account or Twitter account?
Tina: Yes.
Rachel: Do you have time to watch Bravo or read a book or buy laces for your incredibly high comical boots? Okay? I don't. It's exhausting being me. I get up at 5:00 in the morning just to get all of this prepared, in case a solo is thrown my way. I have the entire Sondheim, Hamlisch, Lloyd-Webber, Elton John songbooks memorized, including every single Katy Perry hit, as well. And I do all of this while keeping my boyfriend interested and physically satisfied and being the captian of 16 clubs and keeping a 3.86 GPA.
Tina: I could do all of that.
Rachel: And you will. Next year. You'll have your chance next year.
Tina: All I want, for one moment, to feel like you. Be up on that stage and get one of the standing ovations you're so used to getting.
Rachel: Tina, look, I understand that you feel like your voice is being stifled right now, in the glee club. I mean, I have no idea why you would choose this moment specifically to make a stink about it but I want you to know you are being heard. Which is why I am willing to offer you $50 just to let this all blow over until after Nationals.
(Tina walks away, Rachel follows)
Rachel: Do you have any idea how important Nationals is to me? I mean if I can convince Carmen Tibideaux to come and watch us perform, then it's basically like a do-over for my NYADA audition, which means that my entire future depends on us being amazing, which means that everyone has to do their part.
Tina: Their part to make you look good. I've sat, for three years, in the back of that choir room, holding Mikes hand or crying or smiling and swaying, while everyone else was out there singing solos. Maybe I say something, most of the time I don't, team player all the way. I am tired of being silent. I am one of the original glee club members and I was singing Sit Down, You're Rocking the Boat when Finn and Puck were still throwing slushies at us. So when is it my turn?
Rachel: Do you have any idea how difficult it is to be me? Do you have a Facebook account or Twitter account?
Tina: Yes.
Rachel: Do you have time to watch Bravo or read a book or buy laces for your incredibly high comical boots? Okay? I don't. It's exhausting being me. I get up at 5:00 in the morning just to get all of this prepared, in case a solo is thrown my way. I have the entire Sondheim, Hamlisch, Lloyd-Webber, Elton John songbooks memorized, including every single Katy Perry hit, as well. And I do all of this while keeping my boyfriend interested and physically satisfied and being the captian of 16 clubs and keeping a 3.86 GPA.
Tina: I could do all of that.
Rachel: And you will. Next year. You'll have your chance next year.
Tina: All I want, for one moment, to feel like you. Be up on that stage and get one of the standing ovations you're so used to getting.
http://www.tv-quotes.com/shows/glee/quote_27725.html
