Steven Benson: It took a few weeks and several fights, but we decided that telling the truth was the right thing to do.
Jo Danville: It was. No matter how much it may have hurt. So you had no contact with Paul after that?
Steven Benson: We tried, but Paul didn't want anything to do with us. He felt that we'd betrayed him so he just cut us off.
Nina Benson: We moved a couple years later. Tried to put it behind us.
Jo Danville: Paul was digging by the side of the house for the spare key. But the locks had been changed and he used a crowbar to get inside. He thought it was you in that bed. Paul went back to the house to kill you.

Tom Reynolds: Emptiness. Loneliness. Abandonment! How much can one person take? How much can one person do? 'Cause I've tried. God, how I've tried.

Tom Reynolds: I tried everything... to make you notice me. But you look past me. You cast me aside. Like I'm invisible. But I'm not invisible. I'm right here. Right here in front of you. You turned my life into a hole, empty of everything. One day... you'll pay.

Tom Reynolds: You make my life a living hell! And for what? What did I do to deserve this? I'm tired of... of waiting for something to change, because nothing changes. Always just stays the same!

Wes Dillon: Relax, Kenny. She's just a kid.
Kenny Hexton: No, she's not a kid. She's a witness, man.

Wes Dillon: You're young. There's gonna be other boys.
Olivia Dalton: Not like him.
Wes Dillon: You're one of a kind, you know that? You're a real princess. Now, if this guy can't see that, you don't want to be with him anyway. I could have a chat with him. You know... little one-on-one. Little man-to-man? I can be pretty convincing.
Olivia Dalton: He's 12.
Wes Dillon: So, what are you saying? You saying I'm too old, I can't take him?
Olivia Dalton: Okay, yeah. Go beat him up for me. But leave me the last punch.
Wes Dillon: Deal. (He kisses her)

(After Wes has been shot by the cops)
Olivia Dalton: (Sobbing) You're gonna be okay. We'll get you to a doctor right now.
Wes Dillon: Don't be sad, okay, princess? You get to go home now.

[Adam is doing something in the computer and starts laughing]
[Danny notices he is playing with the aging software using Lindsay's face]
Danny Messer: [Laughing] Hey, come on, that's not right, don't do that, stop.
Lindsay Monroe: What?
Danny Messer: He's just messing with the age progression software.
[Lindsay walks across table to see]

[Flack and Mac investigate room at Gentleman's Club. They find traces of bodily fluid on a couch]
Don Flack: A lot of sex going on in this room. Apparently VIP room means something else.
Mac Taylor: Well, sex isnt a crime, murder is. We need to find blood.
[They spray the room for blood, find it on a wall]
Don Flack: Bingo.
Mac Taylor: The splatter suggests a gunshot wound. Tessa was right.

[Mac gets to the crime scene as Flack finished interrogating a witness/suspect, which are a lot of people dressed as clowns. Mac is amused]
Don Flack: Don't say anything. It's just better of you don't say anything.
Mac Taylor: the victim's inside?
Don Flack: The owner. Gino Cressida, was his son's sixth birthday. Witness' just say a clown walked in a wasted him.
Mac Taylor: And when you showed up, the arresting officers had these guys contained? [nodding to suspects]
Don Flack: Yeah. Now, some of these costumes are way off, but they happen to match the description witnesses gave of the shooter they saw walk across the street and disappear down the alley.
Mac Taylor: So one of these clowns might actually be our killer.

[Talking about Flack taking Mac home]
Mac Taylor: Will you be giving me milk and cookies and singing a lullaby?
Don Flack: Lullaby thing's a bit weird...but milk and cookies can happen. [Grins]
[Mac grins back]
Don Flack: Let's go.

[After Sid has been injured while retrieving a bullet from a body]
Sheldon Hawkes: His vitals look good. He's a little dazed and confused but I think he's gonna be okay.
Jo Danville: If it weren't for these he would be blind right now.
Danny Messer: What the hell happened?
Sheldon Hawkes: Well, he was retrieving the slug from our second sniper vic and all of a sudden, her head just... exploded.
Danny Messer: Exploded?
Sheldon Hawkes: Yeah.

[As Hawkes and Sid are about to remove a decomposing body from a car]
Sheldon Hawkes: This is gonna get ugly.
Sid Hammerback: Indeed. Do you prefer heads or tails?
Sheldon Hawkes: Does it really matter?
Sid Hammerback: In that case, you can have tails.

[When a body is found inside a car left on the roof of an abandoned building]
Jo Danville: It certainly is a unique spot for a body dump.
Mac Taylor: It's also a perfect place to commit murder.

[When part of the skull of the body comes off as Sid and Hawkes trying to handle it slowly]
Sid Hammerback: Uh! Under the circumstances, I suggest we apply the tried-and-true Band-Aid method.
Sheldon Hawkes: Band-Aid method?
Sid Hammerback: One, two, three... pull!